Mike Wiley

Mike Wiley is a North Carolina-based actor, playwright and director of multiple one-man documentary dramas and full-cast ensemble plays, including LEAVING EDEN, THE PARCHMAN HOUR, DOWNRANGE: STORIES FROM THE HOMEFRONT, DAR HE: THE STORY OF EMMETT TILL, the theatrical adaptation of BLOOD DONE SIGN MY NAME and more. The film adaptation of Wiley’s DAR HE, in which he portrayed 30+ roles, received more than 40 major film festival awards around the globe. THE PARCHMAN HOUR was selected as the closing event of the official 50th year anniversary commemoration of the Freedom Riders in Jackson, MS. Wiley has twenty years credits in providing documentary theatre for young audiences plus film, television and regional theatre. An Upward Bound alum and Trio Achiever Award recipient, he is an M.F.A. graduate of the University of North Carolina in Chapel Hill and is a former Lehman-Brady Visiting Joint Chair Professor at Duke University’s Center for Documentary Studies. He has conducted numerous educational residencies funded through grant programs of the North Carolina Arts Council and his plays have been selected for spotlight showcases by arts industry conferences throughout North America.

A gifted and visionary artist and communicator, Wiley’s overriding goal is expanding cultural awareness for audiences of all ages through dynamic portrayals based on pivotal moments in African-American history and, in doing so, helping to unveil a richer picture of the total American experience. Wiley is recipient of the University of North Carolina’s Distinguished Alumni Award in 2017. His epic LEAVING EDEN, premiered in spring of 2018, became the largest commissioned project ever undertaken by Playmakers Repertory Company and enjoyed a record-breaking run. Wiley’s ensemble cast original plays are available for licensed productions by theatres worldwide, and Wiley himself tours eight original one-person plays for student and adult audiences throughout North America, in addition to offering virtual streamed adaptations for educational systems and presenting theatres nationwide.

In 2020, Mike Wiley received the Ann Atwater Award presented by Manbites Dog Theater Fund to recognize Triangle theater artists and companies whose body of work reflects and honors Durham activist Ann Atwater’s lifelong commitment to social justice. He is also recipient of the NC Theatre Conference Constance Welsh Award for Theatre for Youth. Wiley currently leads the online series “Higher Ground Conversations” with national civil rights and social justice leaders.

Peter Casarella

Dr. Casarella’s primary field of study is systematic theology followed by world religions and world church. He was appointed to the faculty of Duke Divinity School as of July 1, 2020. Formerly, he was an associate professor of theology at the University of Notre Dame from 2013-2020 and served as director of the Latin American North American Church Concerns (LANACC) project in the Kellogg Institute for International Studies. He served as professor of Catholic Studies from 2007-2013 at DePaul University, where he was also the founding director of the Center for World Catholicism and Intercultural Theology. He has published ninety-one essays in scholarly journals or books on a variety of topics including medieval Christian Neoplatonism, contemporary theological aesthetics, intercultural thought, and the Hispanic/Latino presence in the U.S. Catholic Church. He served as president of The American Cusanus Society, The Academy of Catholic Hispanic Theologians in the U.S. (ACHTUS), and the Academy of Catholic Theologians (ACT). He is currently serving a second five-year term on the International Roman Catholic-Baptist World Alliance Ecumenical Dialogue and served also on the Roman Catholic-World Communion of Reformed Churches Dialogue.

He has published a monograph, Word as Bread: Language and Theology in Nicholas of Cusa (2017) and a collection of his own essays, Reverberations of the Word: Wounded Beauty in Global Catholicism (2020). He has also edited or co-edited: Cuerpo de Cristo: The Hispanic Presence in the U.S. Catholic Church (1998), Christian Spirituality and the Culture of Modernity: The Thought of Louis Dupré (1998), Cusanus: The Legacy of Learned Ignorance (2006), A World for All? Global Civil Society in Political Theory and Trinitarian Theology (2011), and, most recently, The Whole is Greater than its Parts: Ecumenism and Inter-religious Encounters in the Age of Pope Francis (2020). He is currently working on a book titled: The God of the People: A Latinx Theology.

Michael Kliën

Michael Kliën is a choreographer and artist whose work has been situated
around the world. Widely considered as one of Europe’s most notable thinkers in contemporary choreography
today, he has been commissioned by leading institutions such
as Ballett Frankfurt, Martha Graham Dance Company, New Museum, PS122,
Volksoper Wien, Irish Museum of Modern Art, Hayward Gallery, and ZKM. As
Artistic Director/CEO of Daghdha (2003—2011, Ireland), he developed a distinct
movement aesthetic as well as influential concepts of politically engaged
choreography, performance, and dance. He received a PhD from the Edinburgh
College of Art in 2009 and, as a committed teacher, has been lecturing about his
findings at leading academic and non-academic institutions. After living in Greece
for five years, he became Associate Professor at Duke University (North Carolina)
in 2017 and inaugural director of the MFA in Dance: Embodied Interdisciplinary
Praxis in 2018. In 2019 he founded the Laboratory for Social Choreography.

Kliën’s artistic practice encompasses interdisciplinary thinking,
critical writing, curatorial projects, and, centrally, choreographic works
equally at home in the Performing as well as the Fine Arts. Michael Kliën’s
choreographies are predominantly dance-based works of art, situated in on
stage, galleries or alternative spaces. Increasingly, visual artworks form part of
his choreographic output, yet other creations may act directly upon the social
sphere (Social Choreography). His choreographies for dance are marked by a
highly sophisticated improvisation methodology and the subsequent movement

Amongst a considerable body of work, Michael Kliën’s seminal
choreographies include Einem for Ballett Frankfurt, Sediments of an Ordinary
Mind for Daghdha Dance Company (Limerick), Choreography for Blackboards for
Hayward Gallery (London), Slattery’s Lamp for IMMA’s (Irish Museum of Modern
Art) permanent collection and State of the Union for New Museum/Martha
Graham Dance Company (New York). Solo-exhibitions include IMMA (Dublin) and
Benaki Museum (Athens).

Doriane Coleman

Doriane Coleman is a Professor of Law at Duke Law School, where she specializes in interdisciplinary scholarship focused on women, children, medicine, sports, and law. Her recent work has centered on sex, including its evolving definition and its implications for institutions ranging from elite sport to medicine and, of course, to law. A first article in this series, Sex in Sport , is at 80 LAW & CONTEMPORARY PROBLEMS 63-126 (2017), and a second, Re-affirming the Value of the Sports Exception to Title IX’s General Non-Discrimination Rule, is at 27 DUKE J. GENDER L. & POL’Y 69 (2020). She is currently working on a third article on Sex in Medicine and a book project called Sex in Law.

A regular teacher of Torts, Coleman is co-author of the first-year casebook Torts: Doctrine and Process (2019). She is also co-director of the Law School’s Center for Sports Law and Policy, a faculty affiliate of the University’s Kenan Institute for Ethics, the Trent Center for Bioethics, Humanities and the History of Medicine, and the Center for Child and Family Policy. Her recent cross-campus projects include co-leading a Bass Connections team on Cheating, Gaming, and Rule Fixing: Challenges for Ethics Across the Adversarial Professions (2018-19), and directing the program Head Trauma in Football: Implications for Medicine, Law, and Policy (2018).

Coleman received her Juris Doctor degree from Georgetown Law (1988), and her Bachelor of Arts degree from Cornell University (1982). She was a litigation associate at Wilmer, Cutler & Pickering before beginning her academic and teaching career at Howard University School of Law. While she was at Wilmer, she worked on the development of the world’s first random, out-of-competition drug-testing program for what is now USA Track & Field, a project which led to her years-long engagement with the Olympic Movement’s anti-doping efforts.

Before law school, Coleman ran the 800 meters in collegiate and international competition, where she was a multiple All American, All East, and All Ivy athlete, the U.S. National Collegiate Indoor Champion in 1982, the U.S. National Indoor Champion (with teammates) in the 4 x 400 meters relay in 1982, and the Swiss National Champion in 1982 and 1983. Over her athletic career she competed for Villanova, Cornell, the Swiss and U.S. National Teams, Athletics West, the Santa Monica and Atoms Track Clubs, and Lausanne Sports.

Read her “Good Question”  –   Should healthy minor children be used as organ donors for their ill siblings?



Brett McCarty

Brett McCarty is a theological ethicist whose work centers on questions of faithful action within healthcare. He holds joint appointments in the Divinity School and the School of Medicine’s Department of Population Health Sciences. He is associate director of the Theology, Medicine, and Culture Initiative at the Divinity School, and he is also a faculty associate of the Trent Center for Bioethics, Humanities & History of Medicine. His publications include essays in The Journal of Medicine and Philosophy, the Journal of the Society of Christian Ethics, and the compilation Spirituality and Religion within the Practice of Medicine. His research and teaching interests occur at the intersections of bioethics, political theology, public health, and theological anthropology. His current research projects focus on competing conceptions of agency within the modern hospital, religious responses to the opioid crisis, and historical and contemporary connections between Christian bioethics and political theology.

Sim Sitkin

Sim B. Sitkin is Michael W. Krzyzewski University Professor of Leadership, Professor of Management and Public Policy, and founding Faculty Director of the Fuqua/Coach K Center on Leadership and Ethics (COLE) at the Fuqua School of Business, and Director of the Behavioral Science and Policy Center at Duke University.  Since joining Duke in 1994, he served at various times as Area Head for the Management and Organizations Department, Faculty Director of Fuqua’s Health Sector Management Program, and Academic Director at Duke Corporate Education.

Sitkin’s research focuses on leadership and control systems and their influence on how organizations and their members become more or less capable of change and innovation. He is widely known for his research on the effect of formal and informal organizational control systems and leadership on risk taking, accountability, trust, learning, M&A processes, and innovation.  His research has appeared in a leading academic and practice-oriented journals.  His most recent books are Organizational Control (2010), The Six Domains of Leadership (2016) and Routledge Companion to Trust (2017).  He is President of the Behavioral Science and Policy Association, Founding Editor of Behavioral Science and Policy, Consulting Editor of Science You Can Use, Advisory Board Member of the Journal of Trust Research, and Advisory Board for the Routledge Book Series on Trust, having previously served as Editor of the Academy of Management Annals, Senior Editor of Organization Science and Associate Editor of the Journal of Organizational Behavior. He has extensive consulting and executive education experience with corporations, non-profits, and government organizations worldwide.  In this work, he has focused on strategic leadership, leading and managing change (including mergers and acquisitions), organizational trust, learning and knowledge management, and the design of organizational control systems.