Grants of up to $500 are available to all Duke students, faculty and staff for projects that support initiatives that promote ethical or moral reflection, deliberation, and dialogue at Duke and beyond. We welcome diverse perspectives and submissions from organizations and individuals in all areas of the University and the Medical Center. Campus Grant funding provides support for speakers, workshops, meetings, curriculum development, publications, organizational collaborations, and other activities. Travel grants for attending conferences or other individual activities will not be awarded.

For more information and to download the application, visit our Campus Grants site.

The Ethics Film Series is a signature series at KIE meant to engage the Durham community in conversation on ideas such as justice, personal freedoms, and social responsibility through the lens of feature films. This year’s theme is “Love and Justice,” with four films that will explore how individuals – both alone and in context of their communities – engage the tension between the demands of justice and the grace of love. When justice executed is seasoned by love, the boundaries of the ethical, social, and political expand in unprecedented ways. After each film, the audience is invited to stay and discuss issues raised by the films with Duke faculty and specialists. The screenings are free and open to the public, with parking passes and refreshments provided.

The first film, Gran Torino (2008), will be screening Monday, January 14. It features actor-director Clint Eastwood as disgruntled Korean War vet Walt Kowalski. The story follows his growing friendship with his neighbor, a young Hmong teenager who tried to steal Kowalski’s prized possession: his 1972 Gran Torino. The post-film discussion will be led by Professor Marianna Torgovnick (English Department and Arts of the Moving Image). Torgovnick’s research and teaching expertise relates to film and media studies, cultural criticism, religion, and contemporary American issues.

On Monday February 11th, Le fils (The Son) (2002) will be shown. In this award-winning Belgian-French mystery film, themes of compassion and justice unfold in unexpected ways. The story follows Olivier, a carpentry instructor at a vocational school, who is still recovering from the murder of his only son five years earlier and the subsequent dissolution of his marriage. When a new student applies to join his class, Olivier initially refuses but then secretly begins following the boy.

The last two films in the series are selections from the Human Rights Watch Traveling Film Festival. Brother Number One (2011) will be screened Monday, March 18. The director of the film, New Zealander Rob Hamill, tells the story of his brother’s death at the hands of the Khmer Rouge. It explores the violence of the regime and its followers, killing nearly 2 million Cambodians between 1975 and 1979. Thirty years later, Rob Hamill has a rare chance to take the stand as a witness at the Cambodia War Crimes Tribunal. In this documentary,  Rob retraces his brother’s final days, meeting survivors who tell the story of what countless families across Cambodia experienced at the hands of the Khmer Rouge.

The award-winning and international festival favorite Habibi (2011), by director Susan Yousef, will show April 8. The film follows young lovers Qays and Layla, university students in the West Bank who are forced to return home to Khan Yunis, Gaza. In conservative Khan Yunis, their relationship can only be sustained through marriage, but Qays is too poor to con­vince Layla’s father that he can provide for his daughter. As the couple struggles to be together, Qays paints verses from the classical Sufi poem Majnun Layla all over Khan Yunis, a rebellious act that angers Layla’s father and the local self-appointed moral police. Lyrical and passionate, Habibi depicts a reality where personal happiness must be weighed against society’s opinions, and a choice sometimes made between one’s people and one’s heart.

All films begin at 7:00pm
Griffith Theater, Bryan Center
Free admission, parking passes, and movie snacks

The series is sponsored by the Kenan Institute for Ethics and presented by Screen/Society at Arts of the Moving Image and the Center for Documentary Studies.

Congratulations to Tim Büthe, whose book (co-written with Walter Mattli), The New Global Rulers: The Privatization of Regulation in the World Economy (Princeton, 2011),  won the 2012 Best Book Award of the International Studies Association.

In their book, Tim Büthe and Walter Mattli examine three powerful global private regulators: the International Accounting Standards Board, which develops financial reporting rules used by corporations in more than a hundred countries; and the International Organization for Standardization and the International Electrotechnical Commission, which account for 85 percent of all international product standards. Over the past two decades, governments have delegated extensive regulatory authority to international private-sector organizations. This internationalization and privatization of rule making has been motivated not only by the economic benefits of common rules for global markets, but also by the realization that government regulators often lack the expertise and resources to deal with increasingly complex and urgent regulatory tasks. The New Global Rulers examines who writes the rules in international private organizations, as well as who wins, who loses–and why.

The Rethinking Regulation Working Paper Series provides a forum for faculty working across disciplines who are exploring issues of regulatory governance and dilemmas of regulatory design and policy to disseminate their research. The five papers by international professors of history, law, and economics are available for download (pdf).