Apr 242013
 
 April 24, 2013

Dr. Michael Ignatieff was recently at the Kenan Institute for Ethics to speak as the 2013 Kenan Distinguished Lecturer in Ethics. He is a Canadian scholar, author, former television and radio broadcaster, and leader of Canada’s Liberal Party (2008-2011). In addition to being short-listed for the Booker Prize for Fiction, Dr. Ignatieff has published on non-fiction subjects such as the English penal system, the human need for community, modern warfare, and human rights. His most recent publication, The Lesser Evil: Political Ethics in an Age of Terror,  advocated for force against terrorism balanced by restraint.

He currently holds joint appointments at Harvard’s Kennedy School of Government and at the Munk School of Global Affairs, University of Toronto, and is also the Chair for the Carnegie Council Centennial Project, “Ethics for a Connected World,” meant to stimulate current and future generations to consider the role of ethics in an increasingly interconnected world.

Prior to his lecture on “The Ethics of Globalization and the Globalization of Ethics,” Dr. Ignatieff sat down with KIE’s Katherine Scott to talk about global ethics and recent domestic developments. The interview occurred in the same week as both the Boston marathon explosions and the failure to pass proposed gun control legislation in Congress.

 

Q: You’ve recently been working with the Carnegie Council on the Centennial project, Ethics for a Connected World. Could you speak about your role in that project?

A: They’ve essentially asked me to go around the world and do focused dialogues on difficult moral issues over the next few years. The premise is that you can only see whether universal moral principles have purchase when you look at a specific issue in a specific place. Justice may be universal, but justice is also local, and the conflict between the universal and the local is very important. Corruption and public trust, for example, is a central moral issue in almost all societies, but each society has a different culture of public trust and a different set of frameworks for evaluating what is corruption, what is bribery, what is division between public office and private benefit. We’re going to go to Latin America and not just talk to ethicists or philosophers but talk to prosecutors, lawyers, public officials, and journalists. It’s a kind of applied ethics, and I hope out of that will come some general reflections about the role of local ethical cultures in determining moral conduct within the framework of a global ethic.

Q: Your Kenan Distinguished Lecture in Ethics will be on “The Globalization of Ethics and the Ethics of Globalization”—what does the globalization of ethics look like?

A: The lecture for the Kenan Institute is really a look at the history of the globalization of ethics. We’ve begun talking about globalization in the last forty years, but in fact it has been going on since time began in connection to the history of empire. Almost every imperial system imposed its ethical values on other cultures through force and violence. It’s simultaneously a story of learning, in which both sides change in the encounter between competing ethical systems, and it’s a story of resistance. I want to situate the globalization of ethics within the history of empire and the struggle against empire.

I should say there’s a strong Duke connection, because one of the people I will be talking about is Raphael Lemkin. He was a very distinguished Polish lawyer, Jewish, who fled Nazi-occupied Poland for Sweden and wrote to Professor Malcolm McDermott at Duke Law School. They had collaborated together previously, and Lemkin wrote that he had to get out of Europe because his life was in danger. McDermott was then able to bring him to Duke. Lemkin would become the inventor of the term “genocide” and the author of the Convention on the Prevention and Punishment of the Crime of Genocide of 1948. So Duke has a kind of important place in the history of the globalization of ethics. That genocide is a crime is an excellent example of a universal moral value. By giving Lemkin a home at Duke between 1941 and 1942, it also gave him the time to formulate his ideas and get them together.

Q: As your work now is seeking to reconcile the greater goals of ethics with work being done on the ground level, how did your thinking evolve as a politician on how to bring the more abstract notions of ethics into daily governance?

A: Politics is a constant ethical conflict between what you think is right and what you think will win an election, between what you think your constituents want and what you think is the right thing to do. To pick one example, I’m a strong believer in gun control, and in Canada it is much tougher. But it is an issue that divides Canadians as much as it unites them. Rural, farming Canada is 90 percent of our country’s real estate. Even if it’s only ten percent of the population, it represents a lot of legislative seats. This rural population is vehemently opposed to control over long guns, or rifles, in particular. I supported registration of all firearms, and while it wasn’t popular in those districts, I had to say, “I heard you, I respect you, but I think the public interest requires us to take this measure.” You lose seats in those districts, but you just have to choose. Part of the responsibility of a politician is to frame these issues clearly in your mind. You have to at least know what the trade-offs are.

Q: In light of the recent failure on the part of the United States legislature to pass gun control measures, what do you see as the main impediment to more comprehensive regulation in this country?

A: There is a gun industry here, and not in Canada, which leads to a gun lobby that is highly organized. There’s also a different institutional system. In our parliamentary system, once a party leader makes a decision on what the party stance will be, lobbying is no longer effective. Lobbying is much more effective in the U.S. because members of Congress are much more independent of party discipline. I think also you have a different and consistently more hostile attitude towards government. Canada is larger in size but has a tenth of the U.S. population, and we have kept the country together through the institution of government. This produces a different moral climate. When Gabby Giffords says we have to have gun control, many Americans agree, but the institutions, government, and constitution are different, and it produces different results. It is a good example of how people within two hours’ flying time of each other think and act differently on an issue, and we have to respect those differences.

Q: Having just traveled from Boston, I was thinking of your work on “lesser evils”—what sorts of repercussions do you see in balancing personal liberties and security as a consequence of the recent bombings?

A: The bombings tell you a lot about government and the culture we take for granted. I go in Lord and Taylor all the time in Boston. Here’s a tradeoff: they have a lot of footage of me buying my socks, but it doesn’t bother me if it catches a guy who loaded a casserole full of ball bearings to kill citizens peacefully enjoying themselves at a marathon. You look at how fast the police, fire, and EMS crews transported those who were injured to hospitals, and I think a civilized society has to have public goods and services in government like that. There were people running away from the explosion, and there were people running towards it. The people running toward it were public servants. When you hear the ideology about small government, it’s important to remember who was running towards the bomb—the people that keep us safe.

Apr 192013
 
 April 19, 2013

The Kenan Moral Purpose Award is given for the best undergraduate student essay on the role a liberal arts education plays in students’ exploration of the personal and social purposes by which to orient their future and the intellectual, emotional, and moral commitments that make for a full life. The award extends to include students from the University of North Carolina at Chapel Hill, thanks to a partnership with the Parr Center for Ethics. One winner from each school receives $1,000. This contest is open to all currently enrolled undergraduate students at either Duke or UNC.

Essays of between 500-800 words should address either or both of the following questions:

  • In what ways have your core beliefs and larger aims been tested, transformed, or confirmed during your time in college?
  • How have you had to defend or challenge prevailing ideas, social norms or institutions and what lessons have you learned from doing so?

The deadline for the 2013 competition is April 26, 2013.

Contact Rachel Revelle (rachel.revelle@duke.edu) for more information.

Mar 012013
 
 March 1, 2013

Congratulations to our most recent Campus Grant winners. These grants are awarded each fall and spring to members of the Duke community—students, faculty, and staff—to support initiatives that promote ethical or moral reflection, deliberation, and dialogue at Duke and beyond.

The Spring 2013 winners are:

Alana Jackson / Program II in Intersections of Public Health and the Arts
For a performance of dance, compositions, songs, and spoken word as a culminating event from an exploration of the intersections of public health and the performing arts. Inspiration for the pieces will come from participation with the Health Arts Network at Duke and experience serving a population with Parkinson’s disease through a Dance For Parkinson’s Class Series.

Liliana Paredes and Rebecca Ewing / Spanish Language Program
For a panel talk on Immigration, Culture, Sports, & Ethics as part of the Intensive Spanish Summer Institute. A group of experts including Paul Cuadros,Hannah Gill, and Gwendolyn Oxenham will discuss the role of soccer to bridge borders, and the ethical implications of sports in the context of social equity.

Feb 112013
 
 February 11, 2013

Grants of up to $500 are available to all Duke students, faculty and staff for projects that support initiatives that promote ethical or moral reflection, deliberation, and dialogue at Duke and beyond. We welcome diverse perspectives and submissions from organizations and individuals in all areas of the University and the Medical Center. Campus Grant funding provides support for speakers, workshops, meetings, curriculum development, publications, organizational collaborations, and other activities. Travel grants for attending conferences or other individual activities will not be awarded.

For more information and to download the application, visit our Campus Grants site.

Feb 112013
 
 February 11, 2013

KIE Faculty Walter Sinnott-Armstrong is part of an interdisciplinary team of Duke researchers looking at data linking DNA to psychiatric, cognitive, and criminal information in an attempt to better define what physiological factors contribute to the ability for empathy. The Institute for Genome Sciences and Policy blog GenomeLife details the project and data set.

Jan 102013
 
 January 10, 2013

The Ethics Film Series is a signature series at KIE meant to engage the Durham community in conversation on ideas such as justice, personal freedoms, and social responsibility through the lens of feature films. This year’s theme is “Love and Justice,” with four films that will explore how individuals – both alone and in context of their communities – engage the tension between the demands of justice and the grace of love. When justice executed is seasoned by love, the boundaries of the ethical, social, and political expand in unprecedented ways. After each film, the audience is invited to stay and discuss issues raised by the films with Duke faculty and specialists. The screenings are free and open to the public, with parking passes and refreshments provided.

The first film, Gran Torino (2008), will be screening Monday, January 14. It features actor-director Clint Eastwood as disgruntled Korean War vet Walt Kowalski. The story follows his growing friendship with his neighbor, a young Hmong teenager who tried to steal Kowalski’s prized possession: his 1972 Gran Torino. The post-film discussion will be led by Professor Marianna Torgovnick (English Department and Arts of the Moving Image). Torgovnick’s research and teaching expertise relates to film and media studies, cultural criticism, religion, and contemporary American issues.

On Monday February 11th, Le fils (The Son) (2002) will be shown. In this award-winning Belgian-French mystery film, themes of compassion and justice unfold in unexpected ways. The story follows Olivier, a carpentry instructor at a vocational school, who is still recovering from the murder of his only son five years earlier and the subsequent dissolution of his marriage. When a new student applies to join his class, Olivier initially refuses but then secretly begins following the boy.

The last two films in the series are selections from the Human Rights Watch Traveling Film Festival. Brother Number One (2011) will be screened Monday, March 18. The director of the film, New Zealander Rob Hamill, tells the story of his brother’s death at the hands of the Khmer Rouge. It explores the violence of the regime and its followers, killing nearly 2 million Cambodians between 1975 and 1979. Thirty years later, Rob Hamill has a rare chance to take the stand as a witness at the Cambodia War Crimes Tribunal. In this documentary,  Rob retraces his brother’s final days, meeting survivors who tell the story of what countless families across Cambodia experienced at the hands of the Khmer Rouge.

The award-winning and international festival favorite Habibi (2011)by director Susan Yousef, will show April 8. The film follows young lovers Qays and Layla, university students in the West Bank who are forced to return home to Khan Yunis, Gaza. In conservative Khan Yunis, their relationship can only be sustained through marriage, but Qays is too poor to con­vince Layla’s father that he can provide for his daughter. As the couple struggles to be together, Qays paints verses from the classical Sufi poem Majnun Layla all over Khan Yunis, a rebellious act that angers Layla’s father and the local self-appointed moral police. Lyrical and passionate, Habibi depicts a reality where personal happiness must be weighed against society’s opinions, and a choice sometimes made between one’s people and one’s heart.

All films begin at 7:00pm
Griffith Theater, Bryan Center
Free admission, parking passes, and movie snacks

The series is sponsored by the Kenan Institute for Ethics and presented by Screen/Society at Arts of the Moving Image and the Center for Documentary Studies.